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Wanderschaft - Der Mai ist gekommen
Justus Wilhelm Lyra (1822-1882)
Lyricist: Emanuel Geibel
Arranger: Friedrich Silcher
Publisher: Albrecht Schneider
Description
Hintergrund: Silcher (1789–1860) zählt zu den bedeutendsten Gestaltern der deutschen Volksliedkultur Dieses Lied basiert auf einem populären Wandertext von Emanuel Geibel (1815–1884) Teil des romantischen Männerchorrepertoires im 19. Jahrhundert Thema: Frühling, Aufbruch, Lebenserneuerung und Wandern als Symbol für Freiheit Musikalische Merkmale: Liedhafte Melodik – eingängig, schwungvoll Homophoner Satz, Tenor meist melodiestark Heiteres, vorwärtsdrängendes Tempo Harmonisch einfach, aber mit klaren Lichtmomenten Dynamik folgt Text und Bewegung des Wanderns Wirkung: frisch, optimistisch, schwungvoll Das Lied trägt das Lebensgefühl eines beginnenden Frühlings: losgehen, hinaus in die Welt! Schwierigkeitsgrad & Chorarbeit: Leicht bis mittelschwer Ideal für: Laienchöre, vielseitige Männerchöre Anforderungen: präzise Artikulation im schnellen Text gut gestütztes Legato trotz Beweglichkeit nicht zu schwer auf den Konsonanten → Leichtigkeit! → Charakter: frisch und fröhlich, nicht laut und gedrückt Einsatz im Konzert: Perfekt für: Frühling-, Wander- oder Naturprogramme Freiluftkonzerte, Serenaden Als schwungvoller Einstieg oder Auflockerungspunkt Publikum liebt den Wiedererkennungswert Publikumseindruck: mitreißend, gut gelaunt, „klingt nach Sonne und Freiheit“ Kurzfazit: Ein lebendiger Silcher-Klassiker: frisch-romantische Wanderglückmusik mit öffentlicher Volksliedwirkung.
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What you should know about this piece
These notes help you place the piece — voicing, difficulty, licence model and the steps after purchase.
Understanding the voicing: TTBB▾
The voicing tells you which vocal parts your choir will need to sing.
- SATBSoprano, Alto, Tenor, Bass — the classic mixed choir.
- SSAThree women's voices: two sopranos and alto.
- SSAAFour women's voices: two sopranos and two altos.
- TTBBFour men's voices: two tenors and two basses.This piece
- SABSoprano, Alto, Baritone — eases the tenor part and suits smaller choirs.
- SATBSATBDouble choir: two independent SATB choirs, often in dialogue.
- unisonUnison — for children's choirs, congregational singing or unison passages.
Understanding difficulty levels▾
The difficulty level gives you a feel for how many rehearsals your choir should plan for.
- BeginnerClear rhythms, familiar keys and singable intervals — works for young or newly formed choirs.This piece
- MediumFor an experienced choir; some chromatic passages, key or metre changes. Around 6–10 rehearsals for a clean performance.
- HardClose harmonies, complex rhythms, wider ranges — needs disciplined rehearsing and vocally secure singers.
- Very hardConcert-choir level: modulations, polyphony, extreme registers, demanding intonation and voice leading.
How the per-singer licence works▾
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Per-singer licence Current model
One licence per singer. Scales fairly with ensemble size; many pieces include volume discounts.
Minimum quantity: 20 licences.
Ensemble flat-rate
One fixed price per ensemble. All current and future members get access, no matter how the choir grows.
The licence covers rehearsing and performing through Chorilo. External performance rights (e.g. GEMA, PRS — where applicable) remain unaffected.
Using the piece in Chorilo▾
- 1
Buy the piece
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- 2
Distribute the licences
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- 3
Singers receive the music
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- 4
Rehearse and perform
Listen to voice-part audio in rehearsal, mark passages, isolate your voice — and have everything to hand at the concert.