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Wann ich weiß, was du weißt
Franz Lachner (1803-1890)
Catalog Number: op. 114
Publisher: Albrecht Schneider
Description
Hintergrund & Komponist: Franz Lachner (1803–1890) – deutscher Komponist der Romantik – Freund Schuberts, später Hofkapellmeister in München Einer der bedeutenden Vertreter klassischer Männerchortradition im 19. Jahrhundert Text vermutlich aus der volkstümlichen Liebesdichtung – Lage: Sehnsucht nach Zweisamkeit, aber schüchterne Zurückhaltung Musikalische Merkmale: Liedhaft-lyrische Melodik, eng verwandt mit dem Kunstlied Homophone Grundstruktur → Textklarheit Weiche, wärmende Harmonik Tenöre meist melodieführend Feine dynamische Wellen, die das Gefühl tragen Atmosphäre: verhaltene Leidenschaft und zarte Hoffnung Wirkung: innig, romantisch und menschlich nah Ein typisches Beispiel „edler Romantik“: die Emotion ist da – aber stilvoll kontrolliert. Schwierigkeitsgrad & Chorarbeit: Mittelschwer Anforderungen: Balance zwischen Tenören und Bässen Gleichmäßiges Legato und klare Phrasenbögen Ruhige Intonation in dichten Akkorden Texteinfühlsamkeit → nicht zu opernhaft gestalten Besonders geeignet für Chöre mit schönem, organischem Klang. Einsatz im Konzert: Sehr gut platzierbar in: Liebesprogrammen Romantischen Konzertblöcken (Schubert, Mendelssohn, Thuille etc.) Abend- oder Kirchenkonzerten mit ruhiger Stimmung Publikumseindruck: berührend und vertraut – Lächeln und Seufzen zugleich Kurzfazit: Ein feines romantisches Männerchorlied der „inneren Töne“: liebevoll, sanft und stilvoll – perfekt für Chöre, die mit Gefühl singen.
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What you should know about this piece
These notes help you place the piece — voicing, difficulty, licence model and the steps after purchase.
Understanding the voicing: TTBB▾
The voicing tells you which vocal parts your choir will need to sing.
- SATBSoprano, Alto, Tenor, Bass — the classic mixed choir.
- SSAThree women's voices: two sopranos and alto.
- SSAAFour women's voices: two sopranos and two altos.
- TTBBFour men's voices: two tenors and two basses.This piece
- SABSoprano, Alto, Baritone — eases the tenor part and suits smaller choirs.
- SATBSATBDouble choir: two independent SATB choirs, often in dialogue.
- unisonUnison — for children's choirs, congregational singing or unison passages.
Understanding difficulty levels▾
The difficulty level gives you a feel for how many rehearsals your choir should plan for.
- BeginnerClear rhythms, familiar keys and singable intervals — works for young or newly formed choirs.
- MediumFor an experienced choir; some chromatic passages, key or metre changes. Around 6–10 rehearsals for a clean performance.This piece
- HardClose harmonies, complex rhythms, wider ranges — needs disciplined rehearsing and vocally secure singers.
- Very hardConcert-choir level: modulations, polyphony, extreme registers, demanding intonation and voice leading.
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Using the piece in Chorilo▾
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Rehearse and perform
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