Preview
Detailed preview (3 pages) available after sign-in.
Schlaf wohl, du Himmelsknabe
Karl Nenner
Lyricist: C.F.D. Schubart
Arranger: Max Reber (1873-1916)
Catalog Number: op. 138
Publisher: Albrecht Schneider
Description
Werkcharakter: Geistliches Chorlied zur Weihnachtszeit Teil des Zyklus „Acht geistliche Gesänge“ op. 138 (1914) SATB a cappella Text: Friedrich Rückert – ein zartes weihnachtliches Wiegenlied an das Jesuskind Reger schrieb diesen Zyklus am Ende seines Lebens – man spürt innere Einkehr, Frieden und schlichtes Vertrauen, fern seiner sonst oft komplexen Spätromantik. Musikalische Merkmale: Sehr weich und innig, kaum äußere Dramatik Homophone, liedhafte Choraltechnik Sanfte Harmoniewechsel mit Reger-typischem Farbreichtum Langsame, wie schwebende Bewegungen Zarte, behutsame Dynamik – beinahe Andachtsmusik Klangwirkung: warm, leise leuchtend, kontemplativ Schwierigkeitsgrad & Chorarbeit Mittelschwer Herausforderungen: Intonation in enger, chromatisch veredelter Harmonik absolutes Legato und ruhiges Tempo sehr feine dynamische Kontrolle saubere Vokalfarbe für reine Akkordflächen Ein Stück für Chöre mit guter Klangkultur – weniger virtuos, aber musikalisch anspruchsvoll. Einsatz im Konzert: Ideal in: Weihnachtskonzerten Adventlichen Programmen mit still-emotionaler Atmosphäre Als Ruhepol neben festlichen Werken Publikumseindruck: tief berührend, friedlich, ein Moment des Innehaltens Kurzfazit: Regers „Schlaf wohl“ ist ein zärtliches Wiegenlied in edler Harmonik – reine, stille Weihnachtsfreude mit hoher künstlerischer Qualität.
Min. 20 licenses
No VAT charged according to § 19 UStG
Purchase requires a Chorilo account
You need a Chorilo account and an active choir to buy licenses.
What you should know about this piece
These notes help you place the piece — voicing, difficulty, licence model and the steps after purchase.
Understanding the voicing: SATB▾
The voicing tells you which vocal parts your choir will need to sing.
- SATBSoprano, Alto, Tenor, Bass — the classic mixed choir.This piece
- SSAThree women's voices: two sopranos and alto.
- SSAAFour women's voices: two sopranos and two altos.
- TTBBFour men's voices: two tenors and two basses.
- SABSoprano, Alto, Baritone — eases the tenor part and suits smaller choirs.
- SATBSATBDouble choir: two independent SATB choirs, often in dialogue.
- unisonUnison — for children's choirs, congregational singing or unison passages.
Understanding difficulty levels▾
The difficulty level gives you a feel for how many rehearsals your choir should plan for.
- BeginnerClear rhythms, familiar keys and singable intervals — works for young or newly formed choirs.
- MediumFor an experienced choir; some chromatic passages, key or metre changes. Around 6–10 rehearsals for a clean performance.This piece
- HardClose harmonies, complex rhythms, wider ranges — needs disciplined rehearsing and vocally secure singers.
- Very hardConcert-choir level: modulations, polyphony, extreme registers, demanding intonation and voice leading.
How the per-singer licence works▾
With Chorilo you get a digital performance licence. Your choir is covered — no scramble for photocopies.
Per-singer licence Current model
One licence per singer. Scales fairly with ensemble size; many pieces include volume discounts.
Minimum quantity: 20 licences.
Ensemble flat-rate
One fixed price per ensemble. All current and future members get access, no matter how the choir grows.
The licence covers rehearsing and performing through Chorilo. External performance rights (e.g. GEMA, PRS — where applicable) remain unaffected.
Using the piece in Chorilo▾
- 1
Buy the piece
Choose your ensemble, accept the terms and complete payment securely via Stripe.
- 2
Distribute the licences
Licences are assigned automatically as soon as members open the music. In the "Licences" area you can also assign the seats you bought manually to individual members or to the whole ensemble — for example when you print the music for a member.
- 3
Singers receive the music
Your members see the piece immediately in the Chorilo app — on tablet, phone or desktop, offline too.
- 4
Rehearse and perform
Listen to voice-part audio in rehearsal, mark passages, isolate your voice — and have everything to hand at the concert.