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Der Wanderer - Ein Sträußchen am Hute
Schwäbisches Volkslied
Arranger: Friedrich Silcher
Publisher: Albrecht Schneider
Description
Werkcharakter: Weltliches Männerchorlied (TTBB), meist a cappella Teil der volkstümlichen romantischen Liedkultur des 19. Jahrhunderts Typisches Thema: der fröhliche Wanderer, Natur, Freiheit, Lebensmut und Geselligkeit Silcher fasst hier die Ideale der damaligen Wandergesellschaft musikalisch zusammen. Musikalische Merkmale: Melodiegeführt – volksliedhafte Linie, eingängig und natürlich Chorischer Satz: homophon, mit klarer Stimmführung Helle Tenormelodie, Bässe geben tragenden Grund Leichte Bewegung im Rhythmus, passend zur Wanderstimmung Textgerecht – eindeutige Betonungen, damit das Wort im Zentrum steht Wirkung: freundlich, unbeschwert, ohne Pathos Schwierigkeitsgrad & Chorarbeit: Leicht bis mittelschwer Geeignet für sehr viele Männerchöre Wichtig: Leichter Klang (nicht zu schwer oder breit) Gute Textverständlichkeit Frische Artikulation – „wandernder“ Charakter! Ideal auch für ältere Männerchöre: stimmlich gut machbar, musikalisch aber sehr wirkungsvoll. Einsatz im Konzert: Perfekt für: Frühlings- und Sommerkonzerte Wander- und Naturprogramme Gesellige Vereinsabende oder Freilichtauftritte Passt zwischen anspruchsvolleren Stücken als locker-heitere Auflockerung Publikumserlebnis: Dankbar, herzlich, mit Schmunzelfaktor Kurzfazit: Ein echtes Silcher-Juwel: eingängig, volkstümlich und voller lebensfroher Wanderlust – ein Publikumsliebling.
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What you should know about this piece
These notes help you place the piece — voicing, difficulty, licence model and the steps after purchase.
Understanding the voicing: TTBB▾
The voicing tells you which vocal parts your choir will need to sing.
- SATBSoprano, Alto, Tenor, Bass — the classic mixed choir.
- SSAThree women's voices: two sopranos and alto.
- SSAAFour women's voices: two sopranos and two altos.
- TTBBFour men's voices: two tenors and two basses.This piece
- SABSoprano, Alto, Baritone — eases the tenor part and suits smaller choirs.
- SATBSATBDouble choir: two independent SATB choirs, often in dialogue.
- unisonUnison — for children's choirs, congregational singing or unison passages.
Understanding difficulty levels▾
The difficulty level gives you a feel for how many rehearsals your choir should plan for.
- BeginnerClear rhythms, familiar keys and singable intervals — works for young or newly formed choirs.This piece
- MediumFor an experienced choir; some chromatic passages, key or metre changes. Around 6–10 rehearsals for a clean performance.
- HardClose harmonies, complex rhythms, wider ranges — needs disciplined rehearsing and vocally secure singers.
- Very hardConcert-choir level: modulations, polyphony, extreme registers, demanding intonation and voice leading.
How the per-singer licence works▾
With Chorilo you get a digital performance licence. Your choir is covered — no scramble for photocopies.
Per-singer licence Current model
One licence per singer. Scales fairly with ensemble size; many pieces include volume discounts.
Minimum quantity: 20 licences.
Ensemble flat-rate
One fixed price per ensemble. All current and future members get access, no matter how the choir grows.
The licence covers rehearsing and performing through Chorilo. External performance rights (e.g. GEMA, PRS — where applicable) remain unaffected.
Using the piece in Chorilo▾
- 1
Buy the piece
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- 2
Distribute the licences
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- 3
Singers receive the music
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- 4
Rehearse and perform
Listen to voice-part audio in rehearsal, mark passages, isolate your voice — and have everything to hand at the concert.