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Ehre sei Gott in der Höhe
Felix Mendelssohn Bartholdy
Catalog Number: op. posth.
Publisher: Albrecht Schneider
Description
Werkcharakter: Doppelchörige Motette für 2 × SATB A cappella Geistliches Konzert im romantischen Stil Posthum veröffentlicht – Mendelssohn hat es also zu Lebzeiten nicht herausgegeben Text: Lukas 2,14 Ehre sei Gott in der Höhe und Friede auf Erden bei den Menschen seines Wohlgefallens. Thematisch ist es eindeutig mit der Weihnachtsbotschaft verbunden – Jubel der Engel. Stil & Musikalische Merkmale: Festlich, jubelnd – ähnlich wie die „Weihnachtsmotetten“ Mendelssohns (z. B. „Frohlocket, ihr Völker auf Erden“) Antiphonisches „Hin- und Herwerfen“ der beiden Chöre Wechsel zwischen: Klangvollen, homophonen Ausrufen Imitativer Polyphonie Ausdrucksstark romantische Harmonik → spannungsreiche Wendungen, aber immer sanglich Musikalische Wirkung: Strahlende Festlichkeit – Engelchöre im Raum verteilt Schwierigkeitsgrad & Chorarbeit: Anspruchsvoll (aber gut lohnend!) Wichtig: Gute Balance zwischen den beiden Chören Gleiches Tempo- und Dynamikempfinden in getrennten Gruppen Intonationssicherheit in weiten Akkordstrecken Textklarheit in flottem Tempo Optimal für Chöre mit sicherer Mehrchörigkeitserfahrung. Einsatz im Konzert: Ideal als Eröffnung oder als Höhepunkt eines Weihnachtskonzerts Harmoniert sehr gut mit: anderen Mendelssohn-Motetten festlicher Barockmusik (Weihnachtsoratorien, Vesperwerke) einer gemischten Weihnachtsliturgie (Evangelientext + Chor) Publikumseindruck: hell, prächtig, erhebend – ein echtes Feststück! Kurzfazit: Ein strahlendes Weihnachts-Kleinod Mendelssohns: romantische Klangpracht in doppelchöriger Brillanz – voller Freude und Jubel.
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What you should know about this piece
These notes help you place the piece — voicing, difficulty, licence model and the steps after purchase.
Understanding the voicing: SSAATTBB▾
The voicing tells you which vocal parts your choir will need to sing.
- SATBSoprano, Alto, Tenor, Bass — the classic mixed choir.
- SSAThree women's voices: two sopranos and alto.
- SSAAFour women's voices: two sopranos and two altos.
- TTBBFour men's voices: two tenors and two basses.
- SABSoprano, Alto, Baritone — eases the tenor part and suits smaller choirs.
- SATBSATBDouble choir: two independent SATB choirs, often in dialogue.
- unisonUnison — for children's choirs, congregational singing or unison passages.
The voicing "SSAATTBB" is a special case — have a look at the score preview for details.
Understanding difficulty levels▾
The difficulty level gives you a feel for how many rehearsals your choir should plan for.
- BeginnerClear rhythms, familiar keys and singable intervals — works for young or newly formed choirs.
- MediumFor an experienced choir; some chromatic passages, key or metre changes. Around 6–10 rehearsals for a clean performance.
- HardClose harmonies, complex rhythms, wider ranges — needs disciplined rehearsing and vocally secure singers.This piece
- Very hardConcert-choir level: modulations, polyphony, extreme registers, demanding intonation and voice leading.
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Using the piece in Chorilo▾
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