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Cantate Domino
Claudio Monteverdi (1567-1643)
Lyricist: Psalm 96 & 98
Publisher: Albrecht Schneider
Description
Werkcharakter: Motette / geistliches Konzert A cappella oder mit Basso continuo (je nach Aufführungspraxis) 6-stimmig, meist SSATBB Text: Psalm 96 (bzw. 98 in einigen Zählungen) Singet dem Herrn ein neues Lied! Entstehung & Hintergrund Frühbarock, wahrscheinlich 1590er-Jahre Stilistisch steht es zwischen Renaissance & Barock → Monteverdis Übergang vom stile antico zur neuen concertato-Technik Vermutlich für einen kirchlichen Festanlass in der venezianischen Tradition mit repräsentativem Klang Musikalische Merkmale: Lebendig, festlich, tänzerisch Zahlreiche Imitationen (polyphone Linien), aber klar strukturiert Auffällige Textmalerei: Lebhafte Motorik beim „Cantate“ / „Singet“ Strahlende Kadenzen zur Hervorhebung der Jubelworte Wortorientierte Rhythmik → Text wird ausdrucksstark transportiert Klangpracht durch zwei Sopranstimmen und tiefen Fundamentklang Wirkung: Mitreißende, freudige Festlichkeit – typisch Monteverdi! Schwierigkeitsgrad & Chorarbeit: Mittelschwer bis anspruchsvoll Anforderungen: Intonationssicherheit in bewegten Linien rhythmische Präzision bei flottem Tempo Transparenz in 6-stimmigen Imitationen Gute Balance zwischen hellen und tiefen Stimmen Sehr geeignet für Chöre, die sich im Frühbarock wohlfühlen. Einsatz im Konzert: Perfekt für feierliche geistliche Programme, z. B. Ostern, Weihnachten Jubiläen, kirchliche Hochfeste Ideal als energiegeladener Auftakt oder strahlender Abschluss Publikumserlebnis: freudig, brillant, hymnisch – ein hochattraktiver Chorsatz! Kurzfazit: Monteverdi zeigt hier, wie man biblischen Jubel in musikalische Strahlkraft verwandelt: ein frühes, mitreißendes Meisterstück mit barocker Vorwärtsenergie.
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What you should know about this piece
These notes help you place the piece — voicing, difficulty, licence model and the steps after purchase.
Understanding the voicing: SSATB + Piano▾
The voicing tells you which vocal parts your choir will need to sing.
- SATBSoprano, Alto, Tenor, Bass — the classic mixed choir.
- SSAThree women's voices: two sopranos and alto.
- SSAAFour women's voices: two sopranos and two altos.
- TTBBFour men's voices: two tenors and two basses.
- SABSoprano, Alto, Baritone — eases the tenor part and suits smaller choirs.
- SATBSATBDouble choir: two independent SATB choirs, often in dialogue.
- unisonUnison — for children's choirs, congregational singing or unison passages.
The voicing "SSATB + Piano" is a special case — have a look at the score preview for details.
Understanding difficulty levels▾
The difficulty level gives you a feel for how many rehearsals your choir should plan for.
- BeginnerClear rhythms, familiar keys and singable intervals — works for young or newly formed choirs.
- MediumFor an experienced choir; some chromatic passages, key or metre changes. Around 6–10 rehearsals for a clean performance.
- HardClose harmonies, complex rhythms, wider ranges — needs disciplined rehearsing and vocally secure singers.This piece
- Very hardConcert-choir level: modulations, polyphony, extreme registers, demanding intonation and voice leading.
How the per-singer licence works▾
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Per-singer licence Current model
One licence per singer. Scales fairly with ensemble size; many pieces include volume discounts.
Minimum quantity: 20 licences.
Ensemble flat-rate
One fixed price per ensemble. All current and future members get access, no matter how the choir grows.
The licence covers rehearsing and performing through Chorilo. External performance rights (e.g. GEMA, PRS — where applicable) remain unaffected.
Using the piece in Chorilo▾
- 1
Buy the piece
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- 2
Distribute the licences
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- 3
Singers receive the music
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- 4
Rehearse and perform
Listen to voice-part audio in rehearsal, mark passages, isolate your voice — and have everything to hand at the concert.
