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Weinlied - Ein König ist der Wein
Friedrich Silcher (1789-1860)
Lyricist: Franz v. Kobell
Publisher: Albrecht Schneider
Description
Friedrich Silcher – Weinlied („Ein König ist der Wein“) Männerchor TTBB · weltlich-heiter Hintergrund: Silcher (1789–1860) komponierte und arrangierte zahlreiche gesellige Männerchorlieder Dieses Weinlied gehört zu den beliebten Trinkliedern des 19. Jahrhunderts Thema: Der Wein als Freudenbringer und Herrscher der Geselligkeit – Ein Stück, das bewusst Witz und Gemeinschaft in den Vordergrund stellt. Musikalische Merkmale: Schwungvolle, volksliedhafte Melodie Homophoner Satz → wirklich jeder versteht den Text rhythmische Spritzigkeit, kleine Akzentpointen Dezente Dynamikabstufungen für humorvolle Betonungen Wirkung: Heiter, einladend, publikumsnah – Lächeln garantiert Schwierigkeitsgrad & Chorarbeit: Leicht bis mittelschwer Gut geeignet für Laien- und Vereinschöre Wichtig: Textklarheit → Pointe trägt die Wirkung Guter Puls, keinesfalls schwer oder behäbig singen! Freundlich-leichter Klang, kein Brüllen → Die Kunst besteht darin, locker, aber präzise zu musizieren. Einsatz im Konzert: Perfekt als: Auflockerung in einem gemischten Programm Beitrag zu Wein-, Trinklied- oder Geselligkeitsblöcken Finale eines heiteren Konzertteils Funktioniert super indoor und outdoor Publikumseindruck: Es wird mitgeschmunzelt – vielleicht sogar leise mitgesungen. Kurzfazit: Ein sympathisches, schwungvolles Weinlied in bestem Silcher-Stil: humorvoll, unkompliziert und gesellig – ein echter Publikumsliebling.
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What you should know about this piece
These notes help you place the piece — voicing, difficulty, licence model and the steps after purchase.
Understanding the voicing: TTBB▾
The voicing tells you which vocal parts your choir will need to sing.
- SATBSoprano, Alto, Tenor, Bass — the classic mixed choir.
- SSAThree women's voices: two sopranos and alto.
- SSAAFour women's voices: two sopranos and two altos.
- TTBBFour men's voices: two tenors and two basses.This piece
- SABSoprano, Alto, Baritone — eases the tenor part and suits smaller choirs.
- SATBSATBDouble choir: two independent SATB choirs, often in dialogue.
- unisonUnison — for children's choirs, congregational singing or unison passages.
Understanding difficulty levels▾
The difficulty level gives you a feel for how many rehearsals your choir should plan for.
- BeginnerClear rhythms, familiar keys and singable intervals — works for young or newly formed choirs.This piece
- MediumFor an experienced choir; some chromatic passages, key or metre changes. Around 6–10 rehearsals for a clean performance.
- HardClose harmonies, complex rhythms, wider ranges — needs disciplined rehearsing and vocally secure singers.
- Very hardConcert-choir level: modulations, polyphony, extreme registers, demanding intonation and voice leading.
How the per-singer licence works▾
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Per-singer licence Current model
One licence per singer. Scales fairly with ensemble size; many pieces include volume discounts.
Minimum quantity: 20 licences.
Ensemble flat-rate
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The licence covers rehearsing and performing through Chorilo. External performance rights (e.g. GEMA, PRS — where applicable) remain unaffected.
Using the piece in Chorilo▾
- 1
Buy the piece
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- 2
Distribute the licences
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- 3
Singers receive the music
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- 4
Rehearse and perform
Listen to voice-part audio in rehearsal, mark passages, isolate your voice — and have everything to hand at the concert.