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Bonjour; et puis quelles nouvelles?
Orlando di Lasso (1532-1594)
Lyricist: Clement Marot
Publisher: Albrecht Schneider
Description
Gattung & Besetzung: Französisches Chanson 5-stimmig (SATTB) oder ähnliche gemischte Besetzung A cappella Text & Inhalt: Französischer Alltagsdialog: Eine heitere Begrüßung — „Guten Tag! Und welche Neuigkeiten?“ Typisches Merkmal der französischen Renaissance-Chansons: Humor, Leichtigkeit, Wortwitz, Charme Der Text lebt vom schnellen Hin-und-Her einer Gesprächsszene, fast wie ein kleiner Sketch in Musik. Musikalische Merkmale: Beschwingt, hell, spielerisch Kurze, rhetorische Motive, die sich wie Fragen und Antworten abwechseln Imitative Einsätze → musikalischer Dialog wird deutlich hörbar Takt, Rhythmus und Artikulation unterstützen die sprechaktive Wirkung Wirkung: lebendig, kommunikativ, sehr publikumsnah Schwierigkeitsgrad: Mittel Anforderungen: gute Textartikulation (Französisch!) Leichtes, bewegliches Tempo Saubere Intonation in eng gesetzten Akkorden Humor darf hörbar sein — kein „ernster” Kunstgesang Einsatz im Konzert: Ideal als: Unterhaltendes Zwischenspiel Teil eines Blocks weltlicher Renaissance-Musik (Chansons, Madrigale) Bringt ein Lächeln ins Publikum — Charme pur Kurzfazit: Ein spritziges Chanson voller Witz und Leichtigkeit – Renaissance-Musik mit menschlicher, lebendiger Kommunikation.
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What you should know about this piece
These notes help you place the piece — voicing, difficulty, licence model and the steps after purchase.
Understanding the voicing: SATB▾
The voicing tells you which vocal parts your choir will need to sing.
- SATBSoprano, Alto, Tenor, Bass — the classic mixed choir.This piece
- SSAThree women's voices: two sopranos and alto.
- SSAAFour women's voices: two sopranos and two altos.
- TTBBFour men's voices: two tenors and two basses.
- SABSoprano, Alto, Baritone — eases the tenor part and suits smaller choirs.
- SATBSATBDouble choir: two independent SATB choirs, often in dialogue.
- unisonUnison — for children's choirs, congregational singing or unison passages.
Understanding difficulty levels▾
The difficulty level gives you a feel for how many rehearsals your choir should plan for.
- BeginnerClear rhythms, familiar keys and singable intervals — works for young or newly formed choirs.
- MediumFor an experienced choir; some chromatic passages, key or metre changes. Around 6–10 rehearsals for a clean performance.
- HardClose harmonies, complex rhythms, wider ranges — needs disciplined rehearsing and vocally secure singers.This piece
- Very hardConcert-choir level: modulations, polyphony, extreme registers, demanding intonation and voice leading.
How the per-singer licence works▾
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Per-singer licence Current model
One licence per singer. Scales fairly with ensemble size; many pieces include volume discounts.
Minimum quantity: 20 licences.
Ensemble flat-rate
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The licence covers rehearsing and performing through Chorilo. External performance rights (e.g. GEMA, PRS — where applicable) remain unaffected.
Using the piece in Chorilo▾
- 1
Buy the piece
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- 2
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- 3
Singers receive the music
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- 4
Rehearse and perform
Listen to voice-part audio in rehearsal, mark passages, isolate your voice — and have everything to hand at the concert.