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Oh Herr, ich bin nicht würdig – Alwin Michael Schronen – Notenvorschau

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Oh Herr, ich bin nicht würdig

Alwin Michael Schronen

Lyricist: Bibel

Catalog Number: opus 10, Nr. 118

Publisher: AS Musikverlag

HardSATB 4 pages

Description

Dieses Werk ist auch in französischer Sprache lieferbar.

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Flat price(unlimited for this ensemble)
Total100,00 €

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What you should know about this piece

These notes help you place the piece — voicing, difficulty, licence model and the steps after purchase.

Understanding the voicing: SATB

The voicing tells you which vocal parts your choir will need to sing.

  • SATBSoprano, Alto, Tenor, Bass — the classic mixed choir.This piece
  • SSAThree women's voices: two sopranos and alto.
  • SSAAFour women's voices: two sopranos and two altos.
  • TTBBFour men's voices: two tenors and two basses.
  • SABSoprano, Alto, Baritone — eases the tenor part and suits smaller choirs.
  • SATBSATBDouble choir: two independent SATB choirs, often in dialogue.
  • unisonUnison — for children's choirs, congregational singing or unison passages.
Understanding difficulty levels

The difficulty level gives you a feel for how many rehearsals your choir should plan for.

  • BeginnerClear rhythms, familiar keys and singable intervals — works for young or newly formed choirs.
  • MediumFor an experienced choir; some chromatic passages, key or metre changes. Around 6–10 rehearsals for a clean performance.
  • HardClose harmonies, complex rhythms, wider ranges — needs disciplined rehearsing and vocally secure singers.This piece
  • Very hardConcert-choir level: modulations, polyphony, extreme registers, demanding intonation and voice leading.
How the flat-rate licence works

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Per-singer licence

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Ensemble flat-rate Current model

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The licence covers rehearsing and performing through Chorilo. External performance rights (e.g. GEMA, PRS — where applicable) remain unaffected.

Using the piece in Chorilo
  1. 1

    Buy the piece

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  2. 2

    Distribute the licences

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  3. 3

    Singers receive the music

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  4. 4

    Rehearse and perform

    Listen to voice-part audio in rehearsal, mark passages, isolate your voice — and have everything to hand at the concert.