Preview
Detailed preview (3 pages) available after sign-in.
Abendlied - Abend wird es wieder
Carl Ferdinand Adam (1806-1867)
Lyricist: Hoffmann v. Fallersleben
Catalog Number: op. 5, Nr. 6
Publisher: Albrecht Schneider
Description
Carl Ferdinand Adam – „Abendlied – Abend wird es wieder“ op. 5 Nr. 6 – für Männerchor (TTBB) Mit der Angabe op. 5 Nr. 6 lässt sich das Werk genau verorten: Es gehört zu Adams früh publizierten weltlichen Männerchören, die im Umfeld der aufblühenden bürgerlichen Sängerbewegung im 19. Jahrhundert entstanden sind. 🎶 Stil und Einordnung: Adam ist kein experimenteller Komponist – und gerade das macht sein Werk so bis heute gut singbar: Volksliedhafte Melodik Strophischer, homophoner Satz Natur- und Abendruhe als Leitstimmung Warm-romantische Harmonik mit behutsamen Spannungen Der Satz ist zugänglich und in seiner Schlichtheit ausdrucksvoll: kein Pathos, sondern ruhige Innigkeit. 🎤 Chorische Gestaltungsmerkmale: Legato-Kultur: Die Linien wollen fließen Ausgewogene Tenorführung (Melodie meist oben) Sehr kontrolliertes Piano für den Abendcharakter Klangverschmelzung wichtiger als Lautstärke Die musikalische Kunst liegt ganz in Ruhe, Reinheit und Atmung. 📌 Wirkung im Programm: Ideal als: Schluss eines Konzertblocks Serenadenstück bei Abendlicht Meditatives Moment in sakralen Räumen Ruhiger Gegenpol zu schwungvollen Männerchor-Werken Es schafft den emotional gelassenen Ausklang, den viele Programme suchen. ⭐ Fazit: Op. 5 Nr. 6 ist ein kleines romantisches Abendlied-Juwel: Einfach – aber nicht banal. Innig – ohne Sentimentalität. Klingend – ohne Aufdringlichkeit.
No VAT charged according to § 19 UStG
Purchase requires a Chorilo account
You need a Chorilo account and an active choir to buy licenses.
What you should know about this piece
These notes help you place the piece — voicing, difficulty, licence model and the steps after purchase.
Understanding the voicing: TTBB▾
The voicing tells you which vocal parts your choir will need to sing.
- SATBSoprano, Alto, Tenor, Bass — the classic mixed choir.
- SSAThree women's voices: two sopranos and alto.
- SSAAFour women's voices: two sopranos and two altos.
- TTBBFour men's voices: two tenors and two basses.This piece
- SABSoprano, Alto, Baritone — eases the tenor part and suits smaller choirs.
- SATBSATBDouble choir: two independent SATB choirs, often in dialogue.
- unisonUnison — for children's choirs, congregational singing or unison passages.
Understanding difficulty levels▾
The difficulty level gives you a feel for how many rehearsals your choir should plan for.
- BeginnerClear rhythms, familiar keys and singable intervals — works for young or newly formed choirs.This piece
- MediumFor an experienced choir; some chromatic passages, key or metre changes. Around 6–10 rehearsals for a clean performance.
- HardClose harmonies, complex rhythms, wider ranges — needs disciplined rehearsing and vocally secure singers.
- Very hardConcert-choir level: modulations, polyphony, extreme registers, demanding intonation and voice leading.
How the per-singer licence works▾
With Chorilo you get a digital performance licence. Your choir is covered — no scramble for photocopies.
Per-singer licence Current model
One licence per singer. Scales fairly with ensemble size; many pieces include volume discounts.
Minimum quantity: 20 licences.
Ensemble flat-rate
One fixed price per ensemble. All current and future members get access, no matter how the choir grows.
The licence covers rehearsing and performing through Chorilo. External performance rights (e.g. GEMA, PRS — where applicable) remain unaffected.
Using the piece in Chorilo▾
- 1
Buy the piece
Choose your ensemble, accept the terms and complete payment securely via Stripe.
- 2
Distribute the licences
Licences are assigned automatically as soon as members open the music. In the "Licences" area you can also assign the seats you bought manually to individual members or to the whole ensemble — for example when you print the music for a member.
- 3
Singers receive the music
Your members see the piece immediately in the Chorilo app — on tablet, phone or desktop, offline too.
- 4
Rehearse and perform
Listen to voice-part audio in rehearsal, mark passages, isolate your voice — and have everything to hand at the concert.