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Karntnergmüat - Du mei flåchshåårets Diandle
Thomas Koschat (1845-1914)
Lyricist: Franz v. Kobel
Publisher: Albrecht Schneider
Description
Hintergrund & Einordnung: Koschat (1845–1914) gilt als Vater des modernen Kärntnerliedes Dieser Titel gehört zu seinen volkstümlichsten und beliebtesten Liedern Sprache: Kärntner Dialekt Thema: Sehnsucht nach der Liebsten Naturverbundenheit Gemüt und Herz der Heimat Der Begriff „Kärntnergmüat“ steht für eine ganz bestimmte musikalisch-emotionale Haltung: warm, weich, innig, herzlich – aber nie laut oder großspurig. Musikalische Merkmale: Liedhaft mit eingängiger Tenormelodie Vorwiegend homophoner Chorsatz → Text gut verständlich Harmonisch sanft, mollgefärbt Fließendes Legato und weiche Klangfarben Ruhiges Grundtempo – ein Lied des Herzens, nicht der Show Wirkung: sehnsuchtsvoll, naturverbunden, zärtlich Schwierigkeitsgrad & Chorarbeit: Leicht bis mittelschwer Gut geeignet für breite Männerchorlandschaft Probe-Schwerpunkte: Dialekt-Aussprache authentisch, aber verständlich! Diandle ≈ „Diandl“, helles „i“ flåchshåårets zeigt lange, helle, offene Vokale Intonation in ruhigen Akkorden stabil halten Zurückhaltender Chorklang → kein Opern-Vibrato Subtile Dynamik: kleine Crescendi als Emotionsverstärker Einsatz im Konzert: Perfekt für: Heimat- und Bergprogramme Abendliche, besinnliche Konzertteile Serenaden und Freiluftkonzerte Wunderbarer Kontrast zu fröhlicheren Koschat-Titeln oder lustigen Männerchorstücken Publikumseindruck: „Herzerwärmend, typisch Kärnten“ – ein emotionaler Publikumsliebling Kurzfazit: Ein authentisches Stück Kärntner Volksseele: warm, sehnsüchtig, melodisch dankbar – ein echter Koschat-Klassiker.
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What you should know about this piece
These notes help you place the piece — voicing, difficulty, licence model and the steps after purchase.
Understanding the voicing: TTBB▾
The voicing tells you which vocal parts your choir will need to sing.
- SATBSoprano, Alto, Tenor, Bass — the classic mixed choir.
- SSAThree women's voices: two sopranos and alto.
- SSAAFour women's voices: two sopranos and two altos.
- TTBBFour men's voices: two tenors and two basses.This piece
- SABSoprano, Alto, Baritone — eases the tenor part and suits smaller choirs.
- SATBSATBDouble choir: two independent SATB choirs, often in dialogue.
- unisonUnison — for children's choirs, congregational singing or unison passages.
Understanding difficulty levels▾
The difficulty level gives you a feel for how many rehearsals your choir should plan for.
- BeginnerClear rhythms, familiar keys and singable intervals — works for young or newly formed choirs.This piece
- MediumFor an experienced choir; some chromatic passages, key or metre changes. Around 6–10 rehearsals for a clean performance.
- HardClose harmonies, complex rhythms, wider ranges — needs disciplined rehearsing and vocally secure singers.
- Very hardConcert-choir level: modulations, polyphony, extreme registers, demanding intonation and voice leading.
How the per-singer licence works▾
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Per-singer licence Current model
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Minimum quantity: 20 licences.
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The licence covers rehearsing and performing through Chorilo. External performance rights (e.g. GEMA, PRS — where applicable) remain unaffected.
Using the piece in Chorilo▾
- 1
Buy the piece
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- 2
Distribute the licences
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- 3
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- 4
Rehearse and perform
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