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Treue Liebe - Ach, wie ist's möglich dann
Friedrich Wilhelm Kücken (1810-1882)
Lyricist: Helmina v. Chézy
Publisher: Albrecht Schneider
Description
Hintergrund: Friedrich Quirin Kücken (1810–1882) = deutscher Komponist der Romantik Besonders bekannt für Lieder und Chöre im volkstümlichen Stil „Ach, wie ist’s möglich dann“ ist eines seiner beliebtesten Chorwerke – ein Klassiker der deutschen Männerchorbewegung Text nach Heinrich Harries bzw. volkstümlicher Überlieferung: Thema: Treue Versprechen, Liebesglück und Abschiedswehmut Musikalische Merkmale: Melodiegeführt und liedhaft, sehr eingängig Überwiegend homophoner Satz → Text wird klar und verständlich transportiert Weiche, romantische Harmonik, ohne große Komplexität Dynamik: zarte Aufschwünge, nicht übertriebenes Pathos Der Refraincharakter (Wiederholung) erhöht die Wirkung Wirkung: herzenswarm, volksnah, direkt anrührend Schwierigkeitsgrad & Probenhinweise: Leicht bis mittelschwer Ideal für Laien- und Vereinschöre Wichtig: Legato in den Phrasen, nicht zu marschartig singen Tenor-Melodie trägt – gut stützen! Textverständlichkeit, besonders in weichem Deutsch Typischer Herzstück-Männerchorklang Einsatz im Konzert: Sehr gut geeignet für: Liebesprogramme Romantische Chorabende Feste, Jubiläen, Serenaden Kann ein emotionaler Ruhepunkt sein oder als Publikumsliebling zum Mitsummen wirken Publikumseindruck: „Das kenne ich!“ – vertraut, warm, sentimental Kurzfazit: Ein zeitloser Klassiker der deutschen Männerchorliteratur: liebenswürdig, klangschön, emotional ohne Kitsch – ein echtes Volkslied im romantischen Gewand.
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What you should know about this piece
These notes help you place the piece — voicing, difficulty, licence model and the steps after purchase.
Understanding the voicing: TTBB▾
The voicing tells you which vocal parts your choir will need to sing.
- SATBSoprano, Alto, Tenor, Bass — the classic mixed choir.
- SSAThree women's voices: two sopranos and alto.
- SSAAFour women's voices: two sopranos and two altos.
- TTBBFour men's voices: two tenors and two basses.This piece
- SABSoprano, Alto, Baritone — eases the tenor part and suits smaller choirs.
- SATBSATBDouble choir: two independent SATB choirs, often in dialogue.
- unisonUnison — for children's choirs, congregational singing or unison passages.
Understanding difficulty levels▾
The difficulty level gives you a feel for how many rehearsals your choir should plan for.
- BeginnerClear rhythms, familiar keys and singable intervals — works for young or newly formed choirs.This piece
- MediumFor an experienced choir; some chromatic passages, key or metre changes. Around 6–10 rehearsals for a clean performance.
- HardClose harmonies, complex rhythms, wider ranges — needs disciplined rehearsing and vocally secure singers.
- Very hardConcert-choir level: modulations, polyphony, extreme registers, demanding intonation and voice leading.
How the per-singer licence works▾
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Per-singer licence Current model
One licence per singer. Scales fairly with ensemble size; many pieces include volume discounts.
Minimum quantity: 20 licences.
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The licence covers rehearsing and performing through Chorilo. External performance rights (e.g. GEMA, PRS — where applicable) remain unaffected.
Using the piece in Chorilo▾
- 1
Buy the piece
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- 2
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- 3
Singers receive the music
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- 4
Rehearse and perform
Listen to voice-part audio in rehearsal, mark passages, isolate your voice — and have everything to hand at the concert.