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Schon die Abendglocken klangen
Konradin Kreutzer (1780-1849)
Lyricist: I.K. Braum
Publisher: Albrecht Schneider
Description
Gattung & Besetzung: Weltliches Männerchorlied (TTBB) Oft a cappella, je nach Ausgabe mit vereinfachtem Klavier-/Orgelpart Teil des romantischen Männerchorrepertoires der ersten Hälfte des 19. Jahrhunderts Text: Volksliedhaft oder im volksliedlichen Ton gehalten – Stimmung: Abendruhe, Natur, leichte Wehmut Musikalische Merkmale: Sangbar und liedhaft, mit klarer Melodieführung Homophoner Chorsatz → Text gut verständlich Harmonisch einfach, aber stimmungsvoll – warm und ruhig, typisch für frühe Romantik Sanfte Bögen und dynamische Abstufungen Atmosphärische Abendstimmung durch getragenes Tempo Wirkung: ruhig, versöhnlich, volkstümlich, mit einem Hauch Sentimentalität Schwierigkeitsgrad & Chorarbeit: Leicht bis mittelschwer Gut geeignet für Männerchöre breiter Leistungsstufen Wichtig in der Probe: Intonationsreinheit in engen Akkordlagen Einheitliche Phrasierung (große legatogeprägte Linien) Textklarheit bei weicher Artikulation → Ein bestens geeignetes Repertoirestück für Chöre mit liebendem Publikum im Blick. Einsatzmöglichkeiten im Konzert: Ideal als: Abendlied zum Ende eines Konzerts Stimmungsvoll ruhiger Teil in einem Natur-/Romantikprogramm Ergänzung zu Schubert-, Silcher- oder Mendelssohn-Männerchorwerken Auch Open-Air oder bei sommerlichen Chorveranstaltungen beliebt Publikumseindruck: sanft berührend, warm vertraut – echtes Herzstück klassischer Männerchortradition Kurzfazit: Ein schönes, gesangliches Abendlied Kreutzers: naturverbunden, melodisch dankbar und emotional zugänglich.
Min. 20 licenses
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What you should know about this piece
These notes help you place the piece — voicing, difficulty, licence model and the steps after purchase.
Understanding the voicing: TTBB▾
The voicing tells you which vocal parts your choir will need to sing.
- SATBSoprano, Alto, Tenor, Bass — the classic mixed choir.
- SSAThree women's voices: two sopranos and alto.
- SSAAFour women's voices: two sopranos and two altos.
- TTBBFour men's voices: two tenors and two basses.This piece
- SABSoprano, Alto, Baritone — eases the tenor part and suits smaller choirs.
- SATBSATBDouble choir: two independent SATB choirs, often in dialogue.
- unisonUnison — for children's choirs, congregational singing or unison passages.
Understanding difficulty levels▾
The difficulty level gives you a feel for how many rehearsals your choir should plan for.
- BeginnerClear rhythms, familiar keys and singable intervals — works for young or newly formed choirs.
- MediumFor an experienced choir; some chromatic passages, key or metre changes. Around 6–10 rehearsals for a clean performance.This piece
- HardClose harmonies, complex rhythms, wider ranges — needs disciplined rehearsing and vocally secure singers.
- Very hardConcert-choir level: modulations, polyphony, extreme registers, demanding intonation and voice leading.
How the per-singer licence works▾
With Chorilo you get a digital performance licence. Your choir is covered — no scramble for photocopies.
Per-singer licence Current model
One licence per singer. Scales fairly with ensemble size; many pieces include volume discounts.
Minimum quantity: 20 licences.
Ensemble flat-rate
One fixed price per ensemble. All current and future members get access, no matter how the choir grows.
The licence covers rehearsing and performing through Chorilo. External performance rights (e.g. GEMA, PRS — where applicable) remain unaffected.
Using the piece in Chorilo▾
- 1
Buy the piece
Choose your ensemble, accept the terms and complete payment securely via Stripe.
- 2
Distribute the licences
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- 3
Singers receive the music
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- 4
Rehearse and perform
Listen to voice-part audio in rehearsal, mark passages, isolate your voice — and have everything to hand at the concert.