Preview
Detailed preview (3 pages) available after sign-in.
Abschied vom Walde
Felix Mendelssohn Bartholdy (1809-1847)
Catalog Number: op. 59,3
Publisher: Albrecht Schneider
Description
Gattung & Besetzung: Weltliches Chorstück 4-stimmig: SATB (häufig auch in Fassungen für Männerchor zu finden) A cappella Teil des Zyklus „Sechs Lieder im Freien zu singen“ op. 59 – entstanden 1837–1843 Dieser Liederzyklus ist ein Schlüsselwerk der deutschen romantischen Chorliteratur. Text & Inhalt: Dichter: Joseph von Eichendorff Thema: Natur als Ort von Freiheit, Sehnsucht, Trost Der „Abschied vom Walde“ ist kein Klagen, sondern dankbare Erinnerung an die Natur. Emotion: Heiter-melancholische Abschiedsstimmung Musikalische Merkmale: Volksliedhafte Melodik – einfach und wunderschön kantabel Überwiegend homophoner Satz → Text steht im Zentrum Typische Mendelssohnsche Klangreinheit und Eleganz Warmes Klangbild bei einem ruhigen, gehenden Tempo Subtile Dynamikbögen, die das Naturgefühl atmend gestalten Wirkung: innig, klar, frei atmend – eine „romantische Weite“ entsteht Schwierigkeitsgrad: Leicht bis mittelschwer Wichtig in der Chorprobe: Reines Legato, gute Atemführung Sorgfältige Textartikulation Transparente Balance – nichts darf schwer wirken Für Laien- und Amateurchöre ideal, aber zugleich kunstvoll genug für ambitionierte Ensembles. Einsatz im Konzert: Perfekt für: Natur- und Wanderprogramme Romantische Chorkonzerte Open-Air / Wald-Konzerte Als Abschluss eines Konzertblocks – es trägt die Stimmung hinaus Publikumserlebnis: wärmend, vertraut, berührend – ein Klassiker aus gutem Grund. Kurzfazit: Ein leuchtendes Kleinod Mendelssohns: schlicht, aber musikalisch vollkommen – chorsängerisch dankbar und publikumsnah.
No VAT charged according to § 19 UStG
Purchase requires a Chorilo account
You need a Chorilo account and an active choir to buy licenses.
What you should know about this piece
These notes help you place the piece — voicing, difficulty, licence model and the steps after purchase.
Understanding the voicing: SATB▾
The voicing tells you which vocal parts your choir will need to sing.
- SATBSoprano, Alto, Tenor, Bass — the classic mixed choir.This piece
- SSAThree women's voices: two sopranos and alto.
- SSAAFour women's voices: two sopranos and two altos.
- TTBBFour men's voices: two tenors and two basses.
- SABSoprano, Alto, Baritone — eases the tenor part and suits smaller choirs.
- SATBSATBDouble choir: two independent SATB choirs, often in dialogue.
- unisonUnison — for children's choirs, congregational singing or unison passages.
Understanding difficulty levels▾
The difficulty level gives you a feel for how many rehearsals your choir should plan for.
- BeginnerClear rhythms, familiar keys and singable intervals — works for young or newly formed choirs.
- MediumFor an experienced choir; some chromatic passages, key or metre changes. Around 6–10 rehearsals for a clean performance.This piece
- HardClose harmonies, complex rhythms, wider ranges — needs disciplined rehearsing and vocally secure singers.
- Very hardConcert-choir level: modulations, polyphony, extreme registers, demanding intonation and voice leading.
How the per-singer licence works▾
With Chorilo you get a digital performance licence. Your choir is covered — no scramble for photocopies.
Per-singer licence Current model
One licence per singer. Scales fairly with ensemble size; many pieces include volume discounts.
Minimum quantity: 20 licences.
Ensemble flat-rate
One fixed price per ensemble. All current and future members get access, no matter how the choir grows.
The licence covers rehearsing and performing through Chorilo. External performance rights (e.g. GEMA, PRS — where applicable) remain unaffected.
Using the piece in Chorilo▾
- 1
Buy the piece
Choose your ensemble, accept the terms and complete payment securely via Stripe.
- 2
Distribute the licences
Licences are assigned automatically as soon as members open the music. In the "Licences" area you can also assign the seats you bought manually to individual members or to the whole ensemble — for example when you print the music for a member.
- 3
Singers receive the music
Your members see the piece immediately in the Chorilo app — on tablet, phone or desktop, offline too.
- 4
Rehearse and perform
Listen to voice-part audio in rehearsal, mark passages, isolate your voice — and have everything to hand at the concert.