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The Goslings – Frederick Bridge (1544-1924) – Notenvorschau

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The Goslings

Frederick Bridge (1544-1924)

Lyricist: Frederic Edward Weatherly (1848-1928)

Publisher: Albrecht Schneider

MediumSATB 4 pages

Description

Werkcharakter: Humorvolles, weltliches Chorstück in englischer Sprache SATB (4-stimmig gemischter Chor) Das Stück erzählt eine kleine Liebesgeschichte von zwei jungen Gänsen – ein augenzwinkerndes „Tier-Liebeslied“, sehr britisch-humorvoll. Text: Frederic Edward Weatherly (bekannt u. a. durch „Danny Boy“) Musikalische Merkmale: Leicht romantische Tonsprache, zugleich liedhaft und erzählerisch Harmonisch zugänglich, gut für amateurtaugliche Chöre Wichtige Punkte in der Probenarbeit: Textverständlichkeit (witzige Pointe!) Dynamische Kontraste zum Hervorheben des Erzählcharakters Saubere Homophonie – gelegentlich kurze imitatorische Stellen Schwierigkeitsgrad: Leicht bis mittelschwer Die Stimmen liegen chorfreundlich – auch für Chöre geeignet, die nicht jede Woche proben Wirkung im Konzert: Stimmungsheller „Comedy-Spot“ Sehr gut geeignet als Auflockerung zwischen ernsteren Werken Funktioniert bestens in Rubriken wie „English Humour“ oder „Tierisches im Chor“

Voice Trainer included

With your purchase, you and your members get access to pre-built voice trainer exercises for every voice part – with tempo adjustment, voice mixer and pitch detection in the mobile app.

Min. 20 licenses

Price per License1,00 €
Total1,00 €

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What you should know about this piece

These notes help you place the piece — voicing, difficulty, licence model and the steps after purchase.

Understanding the voicing: SATB

The voicing tells you which vocal parts your choir will need to sing.

  • SATBSoprano, Alto, Tenor, Bass — the classic mixed choir.This piece
  • SSAThree women's voices: two sopranos and alto.
  • SSAAFour women's voices: two sopranos and two altos.
  • TTBBFour men's voices: two tenors and two basses.
  • SABSoprano, Alto, Baritone — eases the tenor part and suits smaller choirs.
  • SATBSATBDouble choir: two independent SATB choirs, often in dialogue.
  • unisonUnison — for children's choirs, congregational singing or unison passages.
Understanding difficulty levels

The difficulty level gives you a feel for how many rehearsals your choir should plan for.

  • BeginnerClear rhythms, familiar keys and singable intervals — works for young or newly formed choirs.
  • MediumFor an experienced choir; some chromatic passages, key or metre changes. Around 6–10 rehearsals for a clean performance.This piece
  • HardClose harmonies, complex rhythms, wider ranges — needs disciplined rehearsing and vocally secure singers.
  • Very hardConcert-choir level: modulations, polyphony, extreme registers, demanding intonation and voice leading.
How the per-singer licence works

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Per-singer licence Current model

One licence per singer. Scales fairly with ensemble size; many pieces include volume discounts.

Minimum quantity: 20 licences.

Ensemble flat-rate

One fixed price per ensemble. All current and future members get access, no matter how the choir grows.

The licence covers rehearsing and performing through Chorilo. External performance rights (e.g. GEMA, PRS — where applicable) remain unaffected.

Using the piece in Chorilo
  1. 1

    Buy the piece

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  2. 2

    Distribute the licences

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  3. 3

    Singers receive the music

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  4. 4

    Rehearse and perform

    Listen to voice-part audio in rehearsal, mark passages, isolate your voice — and have everything to hand at the concert.