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Ubi caritas
Julian Mörth
Publisher: Julian Mörth
Description
Dieses Stück habe ich 2019 für das Onomatopoetikon Darmstadt geschrieben, anlässlich einer Konzertreise nach Italien. Da diese leider nicht stattfinden konnte, wurde das Stück dann im April 2019 von meinem Ensemble Mörth Singers unter meiner Leitung uraufgeführt. Das Stück ist geprägt von einem einzigen Motiv, welches am Anfang vom Sopran vorgestellt wird und sich dann durch alle Stimmen und das gesamte Stück zieht. Anfang und Ende des Stücks drücken die Demut vor der Anwesenheit Gottes aus, während im bewegteren Mittelteil die Freude über Christi Liebe die Überhand gewinnt und in den Höhepunkt des Stücks mündet.
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What you should know about this piece
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Understanding the voicing: SATB▾
The voicing tells you which vocal parts your choir will need to sing.
- SATBSoprano, Alto, Tenor, Bass — the classic mixed choir.This piece
- SSAThree women's voices: two sopranos and alto.
- SSAAFour women's voices: two sopranos and two altos.
- TTBBFour men's voices: two tenors and two basses.
- SABSoprano, Alto, Baritone — eases the tenor part and suits smaller choirs.
- SATBSATBDouble choir: two independent SATB choirs, often in dialogue.
- unisonUnison — for children's choirs, congregational singing or unison passages.
Understanding difficulty levels▾
The difficulty level gives you a feel for how many rehearsals your choir should plan for.
- BeginnerClear rhythms, familiar keys and singable intervals — works for young or newly formed choirs.
- MediumFor an experienced choir; some chromatic passages, key or metre changes. Around 6–10 rehearsals for a clean performance.This piece
- HardClose harmonies, complex rhythms, wider ranges — needs disciplined rehearsing and vocally secure singers.
- Very hardConcert-choir level: modulations, polyphony, extreme registers, demanding intonation and voice leading.
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Using the piece in Chorilo▾
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