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Der Engel Gabriel vom Himmel kam TTBB – baskisches Volkslied – Notenvorschau

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Der Engel Gabriel vom Himmel kam TTBB

baskisches Volkslied

Arranger: Wolfgang Kemp

Publisher: Wolfgang Kemp

EasyTTBB 1 pages

Description

Dieses wunderschöne Advent/Weihnachtslied hat seinen Ursprung im Baskenland des 13.-14. Jahrhunderts. Es erzählt die Geschichte Mariens von der Verkündigung des Engels Gabriel bis hin zur Geburt in der Krippe. Es war mir bisher nur bekannt in einer englischsprachigen Form unter dem Titel "The Angel Gabriel", in einer Vertonung von Edgar Pettmann (1865-1924) für gemischten Chor. Es wird in England viel gesungen so auch vom Kings College, Cambridge (siehe Verlinkung). Für mein Männerensemble habe ich es für TTBB arrangiert und einem singbaren deutschen Text versehen. Die dynamischen Angaben gelten nur für die erste Strophe. Ich würde jede Strophe dynamisch anders gestalten. Das ergibt sich fast von alleine parallel zum Text.

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Audio Samples

Der Engel Gabriel für TTBB.mp3

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Price per License0,50 €
Total0,50 €

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What you should know about this piece

These notes help you place the piece — voicing, difficulty, licence model and the steps after purchase.

Understanding the voicing: TTBB

The voicing tells you which vocal parts your choir will need to sing.

  • SATBSoprano, Alto, Tenor, Bass — the classic mixed choir.
  • SSAThree women's voices: two sopranos and alto.
  • SSAAFour women's voices: two sopranos and two altos.
  • TTBBFour men's voices: two tenors and two basses.This piece
  • SABSoprano, Alto, Baritone — eases the tenor part and suits smaller choirs.
  • SATBSATBDouble choir: two independent SATB choirs, often in dialogue.
  • unisonUnison — for children's choirs, congregational singing or unison passages.
Understanding difficulty levels

The difficulty level gives you a feel for how many rehearsals your choir should plan for.

  • BeginnerClear rhythms, familiar keys and singable intervals — works for young or newly formed choirs.This piece
  • MediumFor an experienced choir; some chromatic passages, key or metre changes. Around 6–10 rehearsals for a clean performance.
  • HardClose harmonies, complex rhythms, wider ranges — needs disciplined rehearsing and vocally secure singers.
  • Very hardConcert-choir level: modulations, polyphony, extreme registers, demanding intonation and voice leading.
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The licence covers rehearsing and performing through Chorilo. External performance rights (e.g. GEMA, PRS — where applicable) remain unaffected.

Using the piece in Chorilo
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  2. 2

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  3. 3

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  4. 4

    Rehearse and perform

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